Review: A World Full of Animal Stories

Usually I like to review a series at the beginning of each month, but this time I want to share a collection of stories all in one bright volume. Since Christmas my children and I have enjoyed delving into A World Full of Animal Stories: 50 Folktales and Legends written by Angela McAllister and illustrated by Aitch.

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I love folk stories; they show us how to respect what is different and celebrate what is the same about other peoples and places. This book is like a treasure chest. The tales are organized according to their continent of origin (Africa, Asia, North America, South America, Europe, Australia and Oceania) and then each is identified more specifically by the modern country or tribe from which it came (Ghana, Brazil, Lakota, et cetera). The range of donor nations could always be broader, and I would like to have seen a fuller representation from South America, Eastern Europe, and the Middle East; but there is a good mix of cultures included that will certainly encourage young readers to stretch their minds around the globe.

The stories are told in the traditional spirit; most are witty moral fables or cautionary tales that encourage cleverness and punish pride. In most of the tales the animals can talk; in some they interact with humans and in others they deal only with each other. There is an emotive blend of humor and tragedy, wit and foolishness, lessons learned and opportunities lost. The result is a story for every mood and a universal reflection of this life we all live.

Each story is tightly packed on one to three pages, and can generally be read within ten minutes. They are well-written and expressive, paced to build the climax without giving the story away. Along with “The Ugly Duckling” and one or two other tales that are well known in the United States, children meet the fabled West African trickster Ananse, a Bear Prince and a horse named Dapplegrim. With titles like “Why the Warthog is Ugly” and “The Owl of Cowlyd Coomb” it is undeniably hard to stop at just one.

If I have a complaint about this book, it concerns the ratio of pictures to text. The illustrations vary pleasingly in size and scale, and portray the stories with brilliance; I would only like to see more of them, and I suspect that little folks would also enjoy more images to enliven the words they’re hearing. But this does not detract from the stories or imply that they are boring; it’s simply that I could never get enough of these gorgeous pictures.

This treasury would make a thoughtful gift, as it can easily provide hours of quality reading for everyone: from toddlers first learning their animals to middle schoolers beginning to appreciate just how big the world is. I am also looking forward to finding a copy of McAllister’s other book: A Year Full of Stories: 52 Folk Tales and Legends from Around the World. This volume is illustrated by Christopher Corr, and appears to be just as tantalizingly vibrant as the animal stories.

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Happy reading!

If you liked this book you might also enjoy: National Geographic Kids Stories: HeartwarmingTrue Tales from the Animal Kingdom, written by Jane Yolen and her children, and illustrated by Jui Ishida

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Series Review: Brambly Hedge

Spring is finally beginning to chase away the last chill days of winter, and little imaginations are ripe for exploring stories that satisfy their curiosity about the natural world. To a child the outdoors ought to be a second home; and no place could feel more like home than the world of Brambly Hedge, created by Jill Barklem.

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This classic collection of stories introduces readers to the mice who inhabit cozy Brambly Hedge. The community they have built among the trees and bushes is comfortable and friendly, with warmly detailed illustrations elaborating Barklem’s delightful tales. Through different seasons of the year and celebrations of life, the mice come together with a cheerful hospitality that spans the generations.

The stories follow no single character, but we become acquainted with Miss Poppy Eyebright, Lady Daisy, kindly Mr. Apple, incorrigible young Wilfred, and others as they go about their daily business in the hedge alongside a quiet stream. We are invited into homes with names like Crabapple Cottage and Old Oak Palace, and then into the tunnels and mills where the mice busily and cleverly attend to all their needs. Barklem’s illustrations portray snug dwellings and various means of gathering and storing food, which is of course the primary occupation of everyone in Brambly Hedge. And such food! If mice do enjoy such delicacies as honey creams and sugared violets, I should surely wish to be one.

The pleasant bustle of everyday life is punctuated by the most splendid gatherings as the mice celebrate birthdays, weddings, christenings, balls, and picnics. They have no dread of the passing of time, but mark it with traditions rooted in natural reverence and generosity. Although they address no deity in particular, the mice give thanks, pronounce blessings, and promise to love their spouses for ever and ever with verses that will sound very familiar to the Christian ear; while the affection shared between neighbors and across generations reminds us of the strength of tribal cultures which respect the wisdom of age and show a common concern for raising the young. Even from the first glance these parties are charming spectacles, evoking all that is best about family and society.

Barklem’s attention to detail is striking in every story. She correctly represents every flower, every leaf, every color and plant in its proper season. (When Poppy marries Dusty on Midsummer’s Day, she notes that the primroses are over.) Her additional whimsies: lace pinafores and meadowsweet tea, the workings of the butter mill and the salt pans, are a pure delight. The tales are well-composed and sweet, perfect for reading with someone little on your lap.

The stories are available in several different formats; they can be purchased as individual volumes, assorted boxed sets, and as a single treasury. As the plots do not necessarily build on one another, they can be collected in any order. The separate volumes are small, like the classic Beatrix Potter books, and would be pleasant to give to a little one over a period of time. The boxed sets are available in several different arrangements, containing all of the books or just a few organized by season or theme. The single-volume treasury is the best value; it contains the complete collection, but the book is not too heavy or unwieldy to open over and over again. Its larger storybook style is easy to read and is a particular favorite with my under-seven crowd, who inevitably beg for just one more.

I hope your family finds a home together in Brambly Hedge; I know you will always be welcome there.

If you liked this book you might also enjoy: The Foxwood Treasury by Cynthia and Brian Paterson

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Review: Over the River and Through the Wood

It’s almost time for Thanksgiving; and with it a flurry of activity as families travel across the world or across the yard to share a day with one another. Wherever you’re bound this year, members of every generation can recollect their own beloved traditions with Over the River and Through the Wood: A Thanksgiving Poem by Lydia Maria Child and illustrated by Christopher Manson.

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This striking volume contains the original words to the well-known tune, telling the story by couplets. An eager little boy peeps out the back of the sleigh (circa 1840) as his family makes their way to Grandfather’s house for Thanksgiving. As they pass through a bustling village and the still, snow-drifted countryside, he can hardly contain his excitement. Finally in the evening they come to a farm, and the boy runs into the open arms of his grandmother. The family sits down to a traditional feast, and the book concludes with all the verses and the music for the song.

The unique woodcut illustrations are a brilliant match for this story. Early American scenes come to life in a popular medium of the time. Bundled figures in shades of brown seem natural and even cheerful as they work, surrounded by the clear brightness of a snowy day. As the subjects drive along we see folks skating, sailing, ice-fishing, logging, horseshoeing; and with them we can almost feel the wind that “stings the toes and bites the nose”. The famous dapple-gray horse keeps brisk pace with the song as our impatient little boy leans forward in all the hope of good things at Grandma’s house – and so do we.

For many Americans such scenes are a part of our collective memory, if not our actual experience. Of course not everyone recognizes the sting of cold air in late November, nor even the warmth of a grandmother’s embrace. Even fewer have been out visiting in a sleigh. But however and wherever we celebrate now, Thanksgiving is still a valuable part of our national identity; and we can all recognize the desire to be with those who love us most. An idyllic old-fashioned setting is not just empty nostalgia or a narrow vision, but an invitation to renew our dedication to our own homes and families.

This book gives fresh insight to familiar words, and provides strong visual cues for sensations that children will recognize: the tingling feeling as you take a gulp of cold air, the warm smell of food cooking, the sound of laughter when friends meet, the anxious hug of someone you’ve been missing. With emphasis on the anticipation and joy of a family gathering, Manson’s rendering would be a delight to read aloud when squirmy little guests start wondering if dinner will ever be ready. Or big ones, for that matter.

Happy Thanksgiving!

If you liked this book you might also enjoy: Sharing the Bread: An Old-Fashioned Thanksgiving Story by Pat Zietlow Miller and Jill McElmurry

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