Review: The Wall

Memorial Day is just around the corner, and with it comes an opportunity to discuss the reason for this holiday with youngsters. An insightful story can aid these challenging conversations, and The Wall – written by Eve Bunting and illustrated by Ronald Himler – is one of the best for this purpose.

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A little boy visits the iconic Vietnam Veterans Memorial in Washington, D.C. with his father. They walk the length of that shiny black wall, looking for a very special name. As they go along, searching together, the boy observes other visitors and the memorials they’ve left behind: a wounded veteran, a grieving couple, flags and flowers, notes and pictures. He runs his hand along that wall, noticing how it looks and how it feels.

At last they find it. They run their fingers over the name of their father and grandfather. They take a rubbing, leave a photograph, and talk together in voices thick with emotion. The boy expresses his sadness to his father, who responds with loving sympathy towards his son but also pride in the legacy of his father. The two visitors are proud of this soldier, proud of his service; though they know that such pride can never take the place of the life he might have lived with them.

This book has been around for almost thirty years, but it is just as beautiful today as when it was featured on the old Reading Rainbow program. The boy makes all the observations of a curious child trying to make sense of big issues and jumbled feelings. With the empathetic support of his father – who is mourning his own father – he faces his sense of loss. These understanding exchanges are particularly poignant as the boy admits that he is proud of his grandfather, but would rather he could be with them.

Not only is this a gentle treatment of a difficult subject, it also provides children with a point of reference for respecting the agony and the sacrifice of others. They can see that there is no time limit on the pain of missing someone, but that it is good to talk about it and that there are appropriate ways to honor someone’s memory. And that we all owe a debt of gratitude to service members who perish in the line of duty; that we need not glorify the horrors of war to honor the sacrifice they made.

I find one image particularly helpful for children: as the boy and his father bow their heads before their loved one’s place on the Wall, a gaggle of schoolchildren pass by. Their loud and thoughtless questions contrast sharply with the quiet, more private behavior of the other visitors. The boy follows his father’s example and continues to stand with his head bowed until they are gone. A young reader will easily recognize that many things are turning over in the boy’s heart and mind, and that he needs time alone to be as close to his grandfather as he ever will be. This is very useful for helping children understand the importance of quiet and respectful conduct at any place of remembrance.

The wonderfully accomplished Eve Bunting has given teachers and caregivers an optimum means of presenting young children with reverent awareness of our fallen soldiers and empathy for their families. She does not attempt to convey the political motivations of any war, nor does she stoop to empty patriotism or saccharine emotions. But in the simplest way she does explore the complexities of love and loss, pride and sacrifice. She reminds us that society has given us respectful traditions for honoring the slain, if we will but claim them.

Himler’s soft, smudgy illustrations are a perfect match for the slim, meaningful text. He depicts a cold, overcast day as a backdrop for the enormity of the Wall and the perfect rows of names. The features of the people are slightly obscured within the paint, allowing them some privacy in their grief. This creative team opens up a new space in the heart of the little boy in the story, and will do so for your own children too.

Please don’t be afraid to talk with your children about Memorial Day. Let them take some flowers to the monument downtown, or wave a flag at the parade. After reading this story I hope they will want to.

It is up to us to teach them what has been, so they can grow to determine what will be.

If you liked this book you might also enjoy: Tucky Jo and Little Heart, written and illustrated by Patricia Polacco

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Review: A World Full of Animal Stories

Usually I like to review a series at the beginning of each month, but this time I want to share a collection of stories all in one bright volume. Since Christmas my children and I have enjoyed delving into A World Full of Animal Stories: 50 Folktales and Legends written by Angela McAllister and illustrated by Aitch.

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I love folk stories; they show us how to respect what is different and celebrate what is the same about other peoples and places. This book is like a treasure chest. The tales are organized according to their continent of origin (Africa, Asia, North America, South America, Europe, Australia and Oceania) and then each is identified more specifically by the modern country or tribe from which it came (Ghana, Brazil, Lakota, et cetera). The range of donor nations could always be broader, and I would like to have seen a fuller representation from South America, Eastern Europe, and the Middle East; but there is a good mix of cultures included that will certainly encourage young readers to stretch their minds around the globe.

The stories are told in the traditional spirit; most are witty moral fables or cautionary tales that encourage cleverness and punish pride. In most of the tales the animals can talk; in some they interact with humans and in others they deal only with each other. There is an emotive blend of humor and tragedy, wit and foolishness, lessons learned and opportunities lost. The result is a story for every mood and a universal reflection of this life we all live.

Each story is tightly packed on one to three pages, and can generally be read within ten minutes. They are well-written and expressive, paced to build the climax without giving the story away. Along with “The Ugly Duckling” and one or two other tales that are well known in the United States, children meet the fabled West African trickster Ananse, a Bear Prince and a horse named Dapplegrim. With titles like “Why the Warthog is Ugly” and “The Owl of Cowlyd Coomb” it is undeniably hard to stop at just one.

If I have a complaint about this book, it concerns the ratio of pictures to text. The illustrations vary pleasingly in size and scale, and portray the stories with brilliance; I would only like to see more of them, and I suspect that little folks would also enjoy more images to enliven the words they’re hearing. But this does not detract from the stories or imply that they are boring; it’s simply that I could never get enough of these gorgeous pictures.

This treasury would make a thoughtful gift, as it can easily provide hours of quality reading for everyone: from toddlers first learning their animals to middle schoolers beginning to appreciate just how big the world is. I am also looking forward to finding a copy of McAllister’s other book: A Year Full of Stories: 52 Folk Tales and Legends from Around the World. This volume is illustrated by Christopher Corr, and appears to be just as tantalizingly vibrant as the animal stories.

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Happy reading!

If you liked this book you might also enjoy: National Geographic Kids Stories: HeartwarmingTrue Tales from the Animal Kingdom, written by Jane Yolen and her children, and illustrated by Jui Ishida

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Series Review: Brambly Hedge

Spring is finally beginning to chase away the last chill days of winter, and little imaginations are ripe for exploring stories that satisfy their curiosity about the natural world. To a child the outdoors ought to be a second home; and no place could feel more like home than the world of Brambly Hedge, created by Jill Barklem.

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This classic collection of stories introduces readers to the mice who inhabit cozy Brambly Hedge. The community they have built among the trees and bushes is comfortable and friendly, with warmly detailed illustrations elaborating Barklem’s delightful tales. Through different seasons of the year and celebrations of life, the mice come together with a cheerful hospitality that spans the generations.

The stories follow no single character, but we become acquainted with Miss Poppy Eyebright, Lady Daisy, kindly Mr. Apple, incorrigible young Wilfred, and others as they go about their daily business in the hedge alongside a quiet stream. We are invited into homes with names like Crabapple Cottage and Old Oak Palace, and then into the tunnels and mills where the mice busily and cleverly attend to all their needs. Barklem’s illustrations portray snug dwellings and various means of gathering and storing food, which is of course the primary occupation of everyone in Brambly Hedge. And such food! If mice do enjoy such delicacies as honey creams and sugared violets, I should surely wish to be one.

The pleasant bustle of everyday life is punctuated by the most splendid gatherings as the mice celebrate birthdays, weddings, christenings, balls, and picnics. They have no dread of the passing of time, but mark it with traditions rooted in natural reverence and generosity. Although they address no deity in particular, the mice give thanks, pronounce blessings, and promise to love their spouses for ever and ever with verses that will sound very familiar to the Christian ear; while the affection shared between neighbors and across generations reminds us of the strength of tribal cultures which respect the wisdom of age and show a common concern for raising the young. Even from the first glance these parties are charming spectacles, evoking all that is best about family and society.

Barklem’s attention to detail is striking in every story. She correctly represents every flower, every leaf, every color and plant in its proper season. (When Poppy marries Dusty on Midsummer’s Day, she notes that the primroses are over.) Her additional whimsies: lace pinafores and meadowsweet tea, the workings of the butter mill and the salt pans, are a pure delight. The tales are well-composed and sweet, perfect for reading with someone little on your lap.

The stories are available in several different formats; they can be purchased as individual volumes, assorted boxed sets, and as a single treasury. As the plots do not necessarily build on one another, they can be collected in any order. The separate volumes are small, like the classic Beatrix Potter books, and would be pleasant to give to a little one over a period of time. The boxed sets are available in several different arrangements, containing all of the books or just a few organized by season or theme. The single-volume treasury is the best value; it contains the complete collection, but the book is not too heavy or unwieldy to open over and over again. Its larger storybook style is easy to read and is a particular favorite with my under-seven crowd, who inevitably beg for just one more.

I hope your family finds a home together in Brambly Hedge; I know you will always be welcome there.

If you liked this book you might also enjoy: The Foxwood Treasury by Cynthia and Brian Paterson

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