Series Review: The Mysterious Benedict Society

The longer nights of autumn provide a cozy opportunity to begin a page-turning book series, and I have eagerly devoured this one: The Mysterious Benedict Society by Trenton Lee Stewart.

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Following orphan Reynard Muldoon, the series brings together four children of exceptional abilities who share one other feature: they are all alone. They all answer an advertisement that promises adventure to children with certain unique qualities; and upon passing a very peculiar examination they meet Mr. Benedict and learn of his efforts to uncover and resist an unknown evil. The children accept their mission, without knowing fully what will be expected of them, or whether they can even trust this strange benefactor. They soon discover that the threat to their world is indeed very real, and they will have to work together quickly to find a way to stop it.

As Reynie hesitatingly forms relationships with Kate, Constance, and Sticky, he realizes that each of them will have to face their fears and, to some extent, overcome their own independent instincts in order to face a common foe. They must rely not only on their skills, but on each other. Trust does not come easily to the foursome, but it grows alongside a mutual respect as they work to solve a mystery that bears enormous consequences for the world in which, previously, they had no real home.

What makes these stories so fascinating is that it does not take place in a magical world; the children’s abilities are not supernatural, but powers of critical thinking and longing for truth. The protagonists are a bit like juvenile Sherlocks, reasoning their way through a tangle of problems. The author builds on an impressive range of facts to help his subjects along, and in so doing creates a place where both knowledge and deduction are celebrated. The writing itself is intelligent, with a thrilling vocabulary and appreciation for the most minute detail.

These stories certainly make it cool to be the smart kid, but they don’t deny a young person’s corresponding emotional or personal development. Reynie is a deeply thoughtful child who is keenly considerate of what others might be thinking or feeling. When he faces the temptation to do what seems most expedient for his own security, his innate loyalty ultimately puts the welfare of others first. As the children learn to get along, they all learn that it takes patience, kindness, and some sacrifice to care for another person. The author traces these developments with a deft sensitivity that is not the least bit cloying.

The exceptional plot is full of risk, riddles, and suspense; and I dare not give it away. Suffice it to say that you will be guessing until the last page. The antagonist proves to be quite diabolical, and at times the play between the themes of abandonment and trust is truly nerve-wracking. Yet the discomfort is warranted as the reader subconsciously begins to address these questions of human longing and achievement in her own mind. The end is wholly satisfying as each of the children, having played their own unique part, finds a place of genuine belonging.

Also striking in this series is the way the young operatives are treated by the mysterious Mr. Benedict and his bizarre staff; the children are seen very much as fully formed individuals, and accorded the respect of equals. Such a partnership is unusual in books for this age group, which tend to develop tension between youth and adults.

The friendships established in the first book endure adventures that will interest children from the age of eight or nine on up through the teen years, but I would particularly commend the whole series to children of a mature and sensitive nature. They will find encouragement to press through their fears and realize their potential as vital members of society. The series would make an excellent gift for a child who struggles to find their place, or needs reassurance that they have one.

Happy reading, Families.

If you liked this series you might also enjoy: The Penderwicks by Jeanne Birdsall

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Series Review: BabyLit Primers by Jennifer Adams and Alison Oliver

With older children off to school, parents and caregivers welcome time with littler ones still at home. It’s never too early for them to start learning, and adults can enjoy it too with the BabyLit Primer series by Jennifer Adams and illustrated by Alison Oliver.

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This smart series adapts literary classics into board book form. Great works like Jane EyreThe Odyssey, Les Miserables, and Moby Dick are not actually abridged to convey the story, but rather themes from them are used to introduce concepts (colors, feelings, opposites, and more). Each title is posed as an old-fashioned “primer” on a given subject, illustrated with references from the story.

Illuminating these classics are simple, colorful images: a mixture of vintage patterns and modern shapes that create a fun and updated look. The figures are stylized and surprisingly detailed, with contrasting colors to attract even the tiniest eyes. The art pairs sweetly with the ideas and is uniformly pleasing.

There are quite a few BabyLit titles now; as with any series, some are better than others. The strongest are the ones that provide quotes from the original work. It gives a very young child the opportunity to absorb a marvelous description or turn of phrase that relates to something they have an interest in, like animals or weather. Among these I find The Jungle Book, Wuthering Heights, Little Women, and The Secret Garden to be particularly good.

Not all of the books feature text from the original stories, but they do contain hints of it. For instance, Pride and Prejudice is styled as a counting book, with “2 rich gentlemen, 3 houses, 4 marriage proposals, 5 sisters” and so forth. These references may delight adult readers even more than the children; but it is still an effective counting book for the target age, and provides young children familiarity with of a piece of literature that has shaped human awareness for two hundred years.

This series is admittedly a bit of a vanity for parents. Babies will not catch the clever references, nor will they emerge with an understanding of the actual plots from these tales. But they will see their loved ones connecting with books large and small, and wanting to discuss it with them. Such material provides junior scholars with a platform for exploring and talking about these stories with their adults; rather than being daunted by big grown-up books, they can engage with them and look forward to them. And for parents – who may be struggling to reconcile their personal interests with their new role as primary custodian of a small soul – these delightful books are a breath of fresh air.

Hint: a BabyLit selection makes an adorable baby shower gift. There are a lot of them, so you can always add to the collection.

If you liked this series you might also enjoy: The Folk Tale Classics Treasury by Paul Galdone

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Review: Mr. Mehan’s Mildly Amusing Mythical Mammals

Today I have a new book to share, bearing a memorably unusual name. Allow me to present Mr. Mehan’s Mildly Amusing Mythical Mammals by Matthew Mehan and illustrated by John Folley.

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This ambitious book of poems features an imaginary creature assigned to each letter of the alphabet. The names of the animals are often a pun (as in the Evol, the Oominoos, and the Zealion) and their natures are explored in a poem for each with accompanying illustrations. Two of these beasts – the Blug and the Dally – venture along and meet the other animals, looking for friendship and discovering a colorful world of adventure.

The tone of the book is clever silliness, reminiscent of Lewis Carroll or A.A. Milne. It encourages development of a child’s magnificent ability to comprehend fact and fantasy equally, as the details of the fictitious beasts are presented in a variety of legitimate poetic forms along with genuinely clever wordplay and a staggering vocabulary. Fun rhymes and wild onomatopoeia are sprinkled with words like “dolorous”, “periegetic”, and “fiefdom”. The poetry is varied and smart, and the illustrations match the mood of each one.

Though each poem is artful and could stand alone, more serious is the arc of the poems when taken all together. As the Dally and the Blug progress they encounter animals with all sorts of habits and personalities. When they finally come to the joyful Zealion, they reflect that each animal is deserving of charity despite its faults, and that studied goodness is the only way to overcome the wrongs in the world. In short, brotherly love is the message here. This progression is sometimes confused within the sheer volume of detail throughout this fantastic journey, but the purpose ultimately emerges and we realize that even the more detached characters have played a part in helping us to understand the deeper meaning. Once this is clear, it’s impossible not to want to go back over each poem, combing for details.

The main text of the book is followed by lengthy appendices including a list of alliterations based on the animals’ names, a list of hidden things to look for in the illustrations, and an impressive glossary – half helpful, half humorous – of both the fanciful words and the antiquated or difficult words used throughout (and a fair smattering of literary wit and faith-based wisdom, too). An inquisitive older child might enjoy poring over these on her own, but the lavish details of this book were meant to be enjoyed by adults and children together.

The book is very nicely bound and of a lovely size; it has a huge array of activities and is clearly designed to encourage family reading time. It is intelligently put together, though perhaps so much so that not every reader will have an interest in or appreciation for every aspect (we are prompted to scour the illustrations in search of “an Oxford punting pole from the Magdalen Bridge Boat House” and “three Loeb editions, sort of”). Some of the poems could be a bit earthy for the modern reader – I am thinking of the Rare and the Tanglis particularly – but if you can handle Kipling you can handle these.

M5 (as it’s called) is a jolly, quirky book; perhaps a bit overwhelming at first glance, it materializes into something much more thoughtful, which takes time to explore. The theme so thoroughly permeates this volume – otherwise so frivolous in appearance – that it may take several readings to catch the meanings at various levels. For this reason it could be either a boon or a bore; for families who appreciate classical education, virtuous elevation, and a bit of bombastic erudition, this book is a worthy investment.

If you liked this book you might also enjoy: Big Words for Little Geniuses by Susan and James Patterson and illustrated by Hsinping Pan

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