Review: Chanticleer and the Fox

“When April with its showers sweet/The drought of March has pierced to the root…” …well when it is that time of year, it is also time to re-read these words from the prologue and a few select favorites from Geoffrey Chaucer’s Canterbury Tales. While many of the tales are not suitable for children in their original form, Barbara Cooney proves that it’s never too early to love the classics with her brilliant adaptation of Chanticleer and the Fox.

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Abridged from the Nun’s Priest’s Tale, this clever rendition tells the cautionary story of Chanticleer, an imperious rooster. He belongs to a poor widow, who cheerfully scrapes a meager living from her small farmstead. The beautiful Chanticleer is her pride and joy, and he rules the farmyard with dignity. One night he has a dream, warning him of danger in his little kingdom, but his favorite hen persuades him to disregard the premonition. He struts about as usual that morning, then meets a flattering – and strangely familiar – visitor. When proud Chanticleer is snatched by the cunning stranger he is pursued by a riotous entourage, but it will take his own wits to save his colorful feathers.

Cooney’s sanitized version of this beloved tale is tremendous fun to read with children. She has retained the sound of the Middle English language, as if a bard was reciting it for a crowd. Her vibrant illustrations won the Caldecott Medal in 1959, and the vivid colors with homey black detailing still feel fresh today. In short order she gives readers an inviting glimpse of the widow’s simple life with an array of favorite animals, and little listeners will delight in recognizing the Fox before Chanticleer does.

A lively springtime choice that is a little out of the ordinary, Chanticleer is grand to read aloud with preschoolers and children in the primary grades. You’ll need your best read-aloud voice; for adults unaccustomed to the style the language might feel stilted, but it is not difficult for young ears to comprehend and lends a decided air of adventure to this merry barnyard tale (do expect to define a few new words, like “debonair”). Barbara Cooney has beautifully preserved the historic yet familiar appeal of this charming fable that has kept readers returning for centuries. But whether you’ll be rooting for Chanticleer or the Fox, I cannot say.

If you liked this book you might also enjoy: Petook: An Easter Story written by Caryll Houselander and illustrated by Tomie dePaola

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Review: The Fox Went Out on a Chilly Night

Autumn is a snug time; a time for pleasant reminiscence. If you need a classic picture book to go with your cocoa, The Fox Went Out on a Chilly Night by Peter Spier is just the thing.

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The words of this story belong to an American folk song, here lovingly brought to life with Spier’s gorgeous illustrations. A fox sets out one evening by the light of a hunter’s moon to gather food for his family. He courses through prosperous farmland, past startled cows and stooks of corn, until he reaches the outskirts of a small town. He snatches a duck and a goose from the henhouse, and makes off with his haul amid a fabulous flurry of feathers; but not before arousing the suspicions of the old lady, who sends her hapless husband John after the thief. The reader cannot help but hope that the quick fox will return safely to his den with a feast for his adorable family.

My children love Peter Spier’s creations. The illustrations are packed with detail, and we can page through and hunt for interesting scenarios without even reading the words. In these scenes the fox sneaks through a mid-nineteenth-century New England countryside that is vibrant with the hues of autumn and rich with historical accuracies. However the number of illustrations produced in color depends on the edition you have.

This book was originally published in 1961, with the illustrations alternating page by page between black-and-white drawings and full-color watercolors. The drawings allowed a reader’s imagination to focus on the intricacies of each depiction, while the paintings were awash in the hues of autumn and created a sense of instant warmth. In 2013 Spier released an updated edition in which all of the original drawings are reprised in watercolor. The drawings are the same, but now they are all presented in that beloved riot of color. Both versions are excellent, and the tone and quality of the full-color work completed by the author fifty years later is every bit as charming as the original.

At the end of the story the full words are printed along with the music. If you are not familiar with the tune, this version is fun to sing with children. The lyrics do not precisely match up with those printed in the book, but that’s part of the fun with folk music. The words are simple and catchy so children can sing along. It would be a rollicking start to a family game night, harvest celebration, or children’s dance party.

This is an altogether enjoyable book to share with your family, although it might need to be explained to little listeners that foxes do in fact eat ducks and geese (alas, that wonderfully expressive goose does not survive the tale). In an unassuming way, it encourages contentment with the simple necessities of a warm home, a loving family, and a good meal. May your own hearth be a joyful place this season.

If you liked this book you might also enjoy: Frog Went A-Courtin’ by John Langstaff and Feodor Rojankovsky

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